GALERIA REUS




info@galeriareus.com
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Galería Reus is a contemporary art gallery based in Mallorca whose trajectory dates back to 2003. Over the years, the project has evolved through different forms of collaboration and programming, consolidating itself as a space dedicated to the research, production, and dissemination of contemporary art.

The gallery works with emerging and mid-career artists, supporting the development of their practices while creating a context for dialogue, experimentation, and reflection around the diverse forms of contemporary artistic expression. Its program is characterized by a diversity of languages and approaches, as well as an interest in establishing connections between the local artistic scene and the international context.

From Mallorca, Galería Reus aims to actively contribute to the contemporary cultural ecosystem by promoting projects that encourage exchange, artistic research, and the development of new perspectives.


EXHIBITIONS

FAIRS

PROJECTS


RESIDENCY

CONTACT
ARTISTS




Represented
Alejandro Javaloyas
Callum Green
Daniel Roibal
Elen Braga
José Fiol
Karolina Albricht
Julià Panadés
Marian Garrido
Miquel Ponce





CollaboratorsAbel Jaramillo
Alexandra Hunts
Erika Trotzig
David Martín
Irati Inoriza
Tommy Lecot
Evgenia Duvnikova
Daniel Dominguez
Martin Paaskesen
Ricardo Cases








BETTER CALL MARK - SOLO SHOW

Albrecht / Wilke, Arno Beck, Johannes Bendzulla, Pierre Clement, Olga Fedorova, Marta Galmozzi, Marian Garrido*, Joan Heemskerk*, Eva & Franco Mattes, Mario Santamaria, Bartomeu Sastre*, Mathew Zefeldt




Dates
15/09/2022 – 01/11/2022



Text The massification of digital technologies developed through various waves since the end of the Twentieth century. The first wave was arguably caused by the tsunami of Windows 95, the first accessible personal computer with a Graphical User Interface (GUI), that found in the World Wide Web its killer application. From 16 million users in December 1995, the internet population grew up to 361 million users in December 2000. The second wave was generated by the joint advent of smartphones (which made digital media accessible even for those who don’t need a computer), wifi networks and 3G connections (which allowed us to be always online) and social media (which made maintaining an online presence simple, desirable and addictive). In December 2017, the internet population reached 4.1 billion users, 54% of the total world population.

The third wave was caused by the Covid-19 pandemic. During quarantine, the last pockets of the digital divide were brutally erased by the need to survive. For the first time in history, access to digital media was required not just for leisure and entertainment, but also to access some fundamental human rights: the right to work and have an income; the right to eat and buy what you need; the right to get schooling and health treatments; the right to stay in touch with your beloved ones; the right to get out, being able to prove that you are healthy. Those belonging to the large, layered elite of cognitive workers – from billionaire CEOs to precarious gig workers – became, to use a word borrowed from Paul B. Preciado, “horizontal workers”, turning their homeplaces (and often their beds) into multimedia stations where the line between work time and free time, labor and leisure, blurred to the point of disappearance. The pandemic made it clear that the way of living portrayed by the Pixar animated movie Wall-e (2008), where what’s left of the humankind lives on a spaceship, fed with sugar and entertainment by machines and rejected by a terrestrial environment that has become dangerous, hostile and unlivable, is not only conceivable but possible and sometimes required in the here and now. The “vertical workers” – those who couldn’t afford to stay at home, who had to get out and be in danger in order to make the world run smoothly – were increasingly managed and coordinated, hired and fired, by apps and disembodied systems. In December 2021, the internet population reached 5,2 billion users, 66.2% of the total world population.

-Domenico Quaranta